Well
At Grandpa's it was sealed,
covered, to us only a cement slab
beside the garage--supper table
for cats, platform for oatmeal
no sooner slopped from Grandpa's
spatula than surrounded
by half-wild satin feet.
The boards turned soft
over ours at home,
crumbling, pink with decay,
green with moss, black--
black beneath the cracks.
Brick-lined darkness took
a long time to swallow a pebble.
"Do not stand on the well."
We found another--my sister and I
in the bowl of that dip between trees
and unmown rise where we could pretend
an absence of modern life, seeing only
trunks and branches, grass and sky--
a half-world secret, earth giving way
about the lip. Our careful bend at the waist,
craning of the neck, revealed
a filmed surface and the rotting fur
of a drowned rabbit.
We bounded away, clapping and calling,
"Elly, here Elly!" lest our beagle
follow her appetites beyond return.
* * *
Fountain
Toes curl over
manufactured stones
in manufactured stream bed
from fountain to lake.
Orange algae makes
even this slight descent
interestingly hazardous.
Each slippery burnt-umber
hump becomes some kind
of dotted rest as life piles,
white as ice, behind the ankles
and careens, gloriously,
into the still green lake.
Clipping our hair in her tiny salon,
neighborhood beautician recounts
how Grandpa cocked his head
one day to the tune of her
coffee table fountain, declaring:
"I think you have a broken pipe."
His utilitarian take diverts her.
Later, in his kitchen,
we tell him: "She thought
your mistake was really funny."
A huge grin and silent laugh
betray his double joke.
After the heat and hurry
and spending of Navy Pier,
the fountain draws a simpler circle:
the toddler in his diaper slapping
shining pavement, the businessman
watching (expression open as the child's)
the silver bubbles top each jet's
arch, wobble against the blue,
burst in heavy sparkles
coming down.
* * *
Lake
Great Lakes are all I know of oceans . . .
a week on Superior, afternoons at Michigan
until the sun turns the water light blue-silver in its setting.
I've felt the respiration of the waves, bobbing
doubled up, like a cork; and heard it, lulled half-asleep on sand.
Sometimes the water heaves, like anger, excitement,
some fierce joy--leaves bite-marks on the beach,
miniature cliffs of sand. The flag warns of danger.
News reports tell of people lost. They seem, always,
to be young.
This is far from our minds, my sister and me,
perched on little islands of rock, a hop out from shore.
Today, the water won't leap even the few inches
to our skin; we dangle our feet to touch it.
Little eels rest beside our rocks. The contours of
snouts and eyes remind us of comical dogs.
Their amber-brown sides appear soft as velvet.
At Grandpa's it was sealed,
covered, to us only a cement slab
beside the garage--supper table
for cats, platform for oatmeal
no sooner slopped from Grandpa's
spatula than surrounded
by half-wild satin feet.
The boards turned soft
over ours at home,
crumbling, pink with decay,
green with moss, black--
black beneath the cracks.
Brick-lined darkness took
a long time to swallow a pebble.
"Do not stand on the well."
We found another--my sister and I
in the bowl of that dip between trees
and unmown rise where we could pretend
an absence of modern life, seeing only
trunks and branches, grass and sky--
a half-world secret, earth giving way
about the lip. Our careful bend at the waist,
craning of the neck, revealed
a filmed surface and the rotting fur
of a drowned rabbit.
We bounded away, clapping and calling,
"Elly, here Elly!" lest our beagle
follow her appetites beyond return.
* * *
Fountain
Toes curl over
manufactured stones
in manufactured stream bed
from fountain to lake.
Orange algae makes
even this slight descent
interestingly hazardous.
Each slippery burnt-umber
hump becomes some kind
of dotted rest as life piles,
white as ice, behind the ankles
and careens, gloriously,
into the still green lake.
Clipping our hair in her tiny salon,
neighborhood beautician recounts
how Grandpa cocked his head
one day to the tune of her
coffee table fountain, declaring:
"I think you have a broken pipe."
His utilitarian take diverts her.
Later, in his kitchen,
we tell him: "She thought
your mistake was really funny."
A huge grin and silent laugh
betray his double joke.
After the heat and hurry
and spending of Navy Pier,
the fountain draws a simpler circle:
the toddler in his diaper slapping
shining pavement, the businessman
watching (expression open as the child's)
the silver bubbles top each jet's
arch, wobble against the blue,
burst in heavy sparkles
coming down.
* * *
Lake
Great Lakes are all I know of oceans . . .
a week on Superior, afternoons at Michigan
until the sun turns the water light blue-silver in its setting.
I've felt the respiration of the waves, bobbing
doubled up, like a cork; and heard it, lulled half-asleep on sand.
Sometimes the water heaves, like anger, excitement,
some fierce joy--leaves bite-marks on the beach,
miniature cliffs of sand. The flag warns of danger.
News reports tell of people lost. They seem, always,
to be young.
This is far from our minds, my sister and me,
perched on little islands of rock, a hop out from shore.
Today, the water won't leap even the few inches
to our skin; we dangle our feet to touch it.
Little eels rest beside our rocks. The contours of
snouts and eyes remind us of comical dogs.
Their amber-brown sides appear soft as velvet.
Dear Elena --
ReplyDeleteWhen one reads your poetry, one is surely and certainly in the precincts of grace. Your numinous attention to the real, your unfailing knack of transfiguring what is common, what is ordinary, into something worthy of reverence -- the gullet of the well, the snouts of the eels like comical dogs, the slippery burnt-umber humps -- I marvel.
And I am immeasurably grateful. Thank you, thank you.
I do have a "spell-check" comment ("fur," not "fir," for the drowned rabbit) and a question:
In the line "until the sun turns the water light blue-silver in its setting": "light" modifies "blue-silver," correct? I mean, it's not the latter half of a glorious compound noun -- "the water-light" -- is it? (If indeed "light" is an modifier to "blue-silver," you might consider adding an indefinite article to make this indubitably clear: "until the sun turns the water a light blue-silver in its setting.") Or perhaps I'm the only reader who read it in the other way! :)
That one comment -- which I made far too wordily! -- does not, I hope, obscure the fact that I love these poems as I love monasteries, sunsets, mountains, and life itself. They are, I feel, among your very best.
Thank you so much, Thomas--for both the lovely complement and blessed editing help! Argh--spelling is my downfall . . . but I've nothing to complain about since I was, at least, born in the era of spell check. (Of course, in cases like this, I'm on my own. I once designated a rough draft as a "ruff draft," something as absurd as a pine needle rabbit down a well :) About the color--I meant the water is a kind of both light-blue and silver. That is, light modifies blue. Would that be "light-blue-silver"? I think I need to consider the color and wording at more length. I wish I had meant "water-light." What a beautiful idea!
DeleteOn another note, I was looking up poetic forms today and ran across something called a renga. Apparently it originated as form and method of Japanese collaborative poems. Have you every tried one?
Yes, I believe I have tried a collaborative renga! I contributed the last five lines to the chain of verse entitled Autumn Brightness, found here:
Deletehttp://floscarmeli.stblogs.org/archives/2006/10/three-strains-o.html
Neat! Thanks for the link.
Delete